So what lesson can yesterday's story of ill-fated lovers Theresa Duncan and Jeremy Blake teach singles about enmeshment?
Let's start by defining what enmeshment is. (Yes, it's more than just a good SAT word--it also makes an excellent play for Balderdash.)
Enmeshment
Enmeshment, simply defined, is the state of being so entangled in someone else's identity that you become indistinguishable from them, even to yourself. When you're enmeshed, your values, your activities, your decisions are so wrapped up in someone else's that they aren't your own anymore. You like what they like, want what they want, believe what they believe, do what they do. It's a sadly common dynamic between parents and children and, perhaps more disturbingly, between romantic partners.
These are the couples who we affectionately call "attached at the hip." Yes, I'm talking about your gal pal who has to "check in" with her husband every hour on the hour when you go out for girl's night. This is also your office buddy who used to crack jokes about Trekkies and now builds model Enterprises and attends conventions every weekend with his new girlfriend. It's our "golden couple," Theresa Duncan and Jeremy Blake.
Before you protest, I fully agree that relationships require compromise, and sometimes that involves participating in events that one half of a couple isn't keen on. It's also true that the beauty of getting to know someone includes learning about his or her interests, and sometimes those interests will interest you, too. In fact, relationships can really broaden your horizons if you let them.
The problem is when you deny your own proclivities or opinions and adopt your partner's for the sake of unity. This is usually done unconsciously and may not be noticeable for a long time, but sooner or later, you'll realize that you've become a different person--a carbon copy of your partner. And if you don't, other people around you will.
Unfortunately, while a lot of people find it annoying and even distressing to watch a formerly whole friend or family member morph into half of someone else, many others, including the couple in question, consider it romantic, evidence of a couple's lasting love. The divorce rate, which is currently at 40-50%, begs the question of what happens to people who submerge their identities only to find that love didn't outlast the struggles of daily life. It's a rocky road back to any semblance of self-fulfillment when you've stunted your own growth and development for years to be more acceptable to someone else.
The romantic aura attributed to signs of enmeshment helps explain why we're obsessed with the Theresa Duncan-Jeremy Blake saga. We misread their unhealthy attachment as "true love" because our culture, by and large, endorses enmeshed behavior. We're mystified that it all could go so wrong when it seemed so right. It shakes our belief in the motto "love conquers all," compelling us to unravel the mystery and restore our faith.
How Enmeshment Killed Theresa Duncan and Jeremy Blake
It doesn't really matter whether Duncan and Blake's persecutory fears were grounded in fact or were the products of psychosis. They died because they were so enmeshed that they couldn't see beyond the protective bubble they'd created for themselves.
Instead of two single individuals living and loving together, Duncan and Blake willfully merged themselves into "Theremy," becoming incapable of independent thought. When one of them became incapacitated by anxiety, the other was swept right up in the current, unable to independently assess the validity of those fears or take the necessary steps to get help.
You have to be small-minded if you want to fit in the tight space that is a microcosm for two. The more insular Duncan and Blake became, the more they cut themselves off from the stabilizing influence of their friends. In the little greenhouse of their private bubble, their fears grew and multiplied, feeding off each other, until they choked out the golden couple themselves.
Ultimately, enmeshment killed Duncan and Blake. When Duncan finally succumbed, Blake couldn't imagine himself without her, tragically robbing the world of a beloved son and friend and of a visionary artist. In the world's eyes, he was a brilliant individual with his whole life ahead of him. In his own eyes, he was just half of a lifeless couple.
Originally, I thought this would be a two-part series, but I'm going to continue tomorrow with one final installment--how enmeshment happens and what we can do to make sure it doesn't happen to us.
I'm also thinking of starting an occasional series called "What Not to Do," profiling strong, capable singles on the world stage who've lost their mojo by embroiling themselves in messy, unhealthy relationships. Any feedback on your interest in this would be welcome.
Other Sources
Blogs About: Enmeshment
"Enmeshment: Collusion & Toxic Relationships"
"Good Fences"
"Love, Marriage, and Enmeshment"
Fun Link of the Day
Singletude: A Positive Blog for Singles
Tuesday, January 8, 2008
Enmeshment: The Story of Theresa Duncan and Jeremy Blake, Part II
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Clever Elsie
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Labels: codependence, couples, culture, enmeshment, Jeremy Blake, psychology, relationships, romance, singles, suicide, Theresa Duncan, Theresa Duncan and Jeremy Blake
Monday, January 7, 2008
Enmeshment: The Story of Theresa Duncan and Jeremy Blake, Part I
Theresa Duncan and Jeremy Blake. Completely in love. Completely devoted. Completely enmeshed. Singletude's two-part series examines their story and what they can teach us, as singles, about the dark side of relationships.
They were the antithesis of the singletude philosophy, a couple so entangled in each other's joys and, ultimately, sorrows that as one faltered in the grip of depression and possible psychosis, they both plummeted into an abyss from which they never found their way out.
Their cautionary tale is in Vanity Fair this month despite the fact that its tragic ending is old news. When Blake undressed and walked into the sea less than two weeks after Duncan ODed on a cocktail of over-the-counter drugs and alcohol, every life and style section ran its own investigation into the motive and method of their double suicide. That was in July 2007.
But for some reason, the media is still captivated by the intellectual belle and her rising art scenester boyfriend. Each profile lights the story of the star-crossed lovers in a different thematic hue--mystical union, all-consuming passion, heroic devotion, merciful sacrifice, and, more darkly, pathological envy, paranoia, and midlife crisis. But what everyone seems to have missed may be the key not only to why their deaths are so compelling but to why they were compelled to death.
Who They Were Apart
Duncan was the girl from the wrong side of the tracks who made good. She was raised in tiny Lapeer, Michigan in a poor, working class family amidst vague rumors of abuse and more concrete ones of mental illness on her father' s side. Duncan rebelled against her upbringing by fiercely cultivating her intellect, reporting long hours spent in the library to escape her dreary life.
Like many young girls who grow up in troubled homes, Duncan seemed to have an unquenchable thirst for attention and admiration as well as an abiding distrust of "the system." She dressed provocatively, involved herself in the punk movement, and was known for displays of abrasive bravado. Initially, her self-confidence and raw talent rocketed her to fame as an up-and-coming video game designer and landed her several Hollywood film deals. But the deals fell through, and her career became a glamorous facade shielding long dry spells of unemployment.
Blake hailed from suburban D.C. His father died of AIDS when Blake was a teenager, and relations between him and his mother were said to be distant. A friend, Malcolm McLaren, described him as a "troubled soul" who was "screwed up."
Nevertheless, he was the far more successful member of the romantic partnership dubbed "Theremy" in art circles. As a prominent painter and digital artist, Blake was known for work that was inventive and moody and was hired for such projects as Beck's album Sea Change and the critically acclaimed film Punch Drunk Love. More laid-back and self-effacing than Duncan, Blake was sometimes seen as her sidekick despite his greater achievement.
Who They Were Together
Duncan and Blake met when she was 29 and he was 24, a five-year age difference that may have enabled Blake's emotional dependence. The two became instantly inseparable, to a degree that some found romantic and others found odd or off-puting. Where one went, the other followed; they claimed that they'd never spent a night apart in their twelve years together. She promoted his work ceaselessly, never missing an opportunity to mention him in interviews, and he was always quick to defend her from critics, with startlingly out-of-character threats of aggression if necessary.
As Duncan became increasingly convinced that her lack of success was due to a Scientology conspiracy, these threats intensified. Soon, the couple was demanding that anyone who wanted to work or even associate with either of them should sign a contract of loyalty to both of them. In an outburst of paranoia, they began to harass their own friends and neighbors and were eventually evicted from their Venice Beach, California home. They moved to New York City, but peace eluded them there, as well. They became reclusive, had shared precognitive visions of disaster, and alienated more friends. Finally, at the age of 40, Duncan committed suicide in their East Village apartment, and Blake, despite declaring himself ready to move on, followed suit almost two weeks later.
The real life story of Theresa Duncan and Jeremy Blake isn't very glamorous. It's a story of failed ambition, obsession, and probable mental illness. Yet it's also portrayed as the height of romance.
To its detriment, our culture can't distinguish between the healthy love of two individuals and the enmeshment of floundering souls who can't maintain stable identities on their own. The biblical phrase "two become one," so often intoned at wedding ceremonies, has entered our collective consciousness as the ideal towards which we should strive. That's where enmeshment enters the picture.
Tune in tomorrow to find out what enmeshment is and what the suicides of Theresa Duncan and Jeremy Blake can teach us about its dangers.
Other Sources
The Independent
LA Weekly News
New York Magazine
Theresa Duncan Central
Fun Link of the Day
Note: Apologies again that Singletude has been suffering from Internet connectivity issues in the past two days. Again, if you'd like to be notified of new posts, please subscribe to the RSS feed.
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Labels: codependence, couples, culture, enmeshment, Jeremy Blake, psychology, relationships, romance, singles, suicide, Theresa Duncan, Theresa Duncan and Jeremy Blake
